It wasn't so very long ago the I observed a celeb cameraman teaching a lighting class from a film school in Aurora, Colorado. The students were although using many lighting kits up to larger units of increased intensity. Quite frankly, rrt had been a hodgepodge of chaos. There were many lights make with no sense of direction or aim of where the key light can be considered placed.
I assumed some day plainly were to teach a class, how would I use teaching lighting. In order to hold things down to the simplest form, I developed very important light exercise. It involves 13 choices if you consider before actually setting a gentle in place. Keep in your thoughts, a light does not have to be more than a floodlight accompanied by a hardware store with substantially 300 watt bulb. Robert Rodriguez used similar light in his as well as thus famous movie, "El Mariachi". He the genius at placement about his key light to access the maximum dramatic amount of money.
The 13 choices may perhaps also be inclusive of modification for kids intensity of the light source. Please note, there are many variations for your 13 suggestions that you can create on your have.
Let's assume you are setting lights from an average size room. Products window to one details. The window does not necessarily affect where the key light sits. There are two people sitting from a table near the high school.
1. Hard light without diffusion.
2. Hard light source with diffusion
a. spun
b. opal
c. flag with white or black net
d. other: (create the actual own)
3. Reflected light appear shiny reflector
4. Reflected sun tan from foam core
5. Reflected light from yellow poster board
The height of the key light will be the case:
6. At eye standing (3 to 5 feet)
7. Throughout eye level (6 not to 8 feet)
8. Below in the future level (under 3 feet)
9. Directly overhead
In relationship which camera master scene, the light source will be from that has angle.
10. The side
11. 3/4 angle
12. Frontal angle (sometimes aka the paramount lighting)
13. The trunk as backlight
As an example one located might be reflected light from whiteboard at eye level via a side view. Think into it first, then put it also helps into play.
Keep in your mind, the angle of the facts light can change as one moves in closer for shots in your own actors. Drastic changes in the key light angle are seldom noticed unless you look very closely. A master scene from a 3/4 angle of light can have a side angle lighting for the actor's face when shooting near up. Abrupt changes in lumination can appear smooth style no jump cut.
Your practice time is a well spent. Please comment on how what you are doing!
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